Carlisle Longinmouth ❧ ɹᴉǝH ʇɥƃᴉlq ǝɥʇ (
abheirrant) wrote2019-08-29 11:55 am
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❧ i n b o x
—pposed to know when to start speaking? That wasn't a very thorough explanation on what I'm to do this, now was it? Hello? Hello? Are you listening to me? Are you even still ther— [beep] |
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[ Carlisle's mentioned some of that before. How he comes from a family of local heroes, and was expected to follow in their footsteps. How, through no fault of his own, he killed the very people he set out to protect.
That's verging a little close to personal territory, though, for both of them. Qubit drops the topic. ]
You've mentioned "schools" of magic a few times, what does that mean? Is it just how spells are categorized?
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Yes, it is largely categorization. Most trained magicians specialize in one, maybe two schools. Only the most talented and ambitious would study further than that, as it takes years of intense study to master the many applications of even one school.
[He gets back to drawing on the paper before him, scrawling out a series of symbols. Give him a second, Qubit -- he wants to make sure these are legible.]
Uncle Benistad, for example, fell into the latter crowd. He was primarily an evocationist, but enchanting and abjuration were other specialties of his. [Carlisle mutters to himself.] Though some would assume his main talent was in charming.
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Let's just say he was a man of many interests, both professional and personal.
[Carlisle finishes his little drawings, seven sigils that apparently have some meaning to him.]
These are the seven primary schools. While there are others, they are outliers, their uses and teachings kept secret to but a few.
[He starts at the top of his page, pointing out the sigil there.]
Evocation, the art of conjuring, summoning, and manifestation.
Transfiguration, the art of changing, reshaping, and altering.
Abjuration, the art of warding. [That would be one of the ones etched on the door to Qubit's lab.]
Charming, the art of enchanting.
Illusion, the art of figments and deception.
Divination, the art of scrying.
Reparation, the art of mending and construction... as well as deconstruction. [That one appears on the door, as well.
He pauses there for any further questions.]
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So what I do would be closest to Transfiguration, it sounds like. [ Actually, he's pretty sure Carlisle explicitly called it that the first time he saw it. Recalling something adjacent, though, he squints slightly. ] Didn't you also mention "golemancy" at some point? Is that one of the outliers?
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[Please don't make robots, Qubit. Carlisle is distinctly uncomfortable with the very idea.]
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What would you consider a "golem," exactly? [ Before letting him answer, he elaborates- ] Because where I'm from, that word refers to a very specific kind of construct. I think the concepts must be similar, if that's what your word translates to, but...
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[Yes, obviously.]
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After a moment's consideration, he decides he might as well provide his own context. Only fair. ]
That's actually not far off. In my world, it's a humanoid made of clay, animated by writing one of the names of God on a tablet inside its mouth. [ He waves one hand, vaguely gesturing at nothing. ] Or something similar - writing "TRUTH" on its forehead, et cetera - there's some variation in the literature. But that's the method they used in Prague, which is the only confirmed case.
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[And Qubit is correct in his assumption as to why Carlisle is uncomfortable with the very concept. The clergyman shudders.]
It is too akin to necromancy for my taste, bringing to life that which should not live. And there are tales of golemancers who have taken it that far, building constructs to house the remnants of their loved ones.
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I wish I could say I'm surprised. I can see how it'd be a tempting prospect. How they might think they're doing them a favor. [ He folds his arms, frowning darkly. ] An immortal life in an unbreakable body, and all they give up in exchange is their humanity. It's a textbook Faustian bargain.
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'Faustian bargain'?
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A deal with the Devil. Faust is a literary figure, he's, ah... a scholar who sells his soul to a demon in exchange for knowledge, or power, or earthly pleasures, something like that. Worldly benefits at the price of eternal damnation.
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I see. Such bargains are best left to serve as cautionary tales. Forbidden arts and accursed deals poison everything around those who partake in them: the land, the people, and themselves.
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[ There's some room for nuance, obviously (who forbade it? how do you define "accursed"? qui bono?), but that's a bit out of scope. He's more thinking of the literal devil-dealing and the literal poisoning of land and people that he's witnessed - technically two separate events, but with the same instigator - but that's a bit off topic.
In context, they're talking about "cheating death," but that brings to mind someone equally unpleasant. A man who cheated death by having no soul to sell. Less Faust, more Mephistopheles.
The sweet scent of Carlisle's tea provides a convenient distraction. But... it's odd, now that he notices it, that he can smell it this strongly without feeling any effects. He looks back to Carlisle, pointing generally at the teacup. ]
What was the glyph you used on that?
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I often enchanted tea at home, using specific brews for various reasons: a sleep aid, a pain reliever when my body failed me, and the like. I was disappointed to discover that while I could make a suitable tea from it, the sap here that so affected others, relieving them of their mental burdens if only for a time, did nothing at all for me. No substance does any longer. I have not had a good drink in so long.
[Said like a fellow who definitely drank. Possibly a lot.]
And so I devised this glyph. Charming, reparation, minor transfiguration. It has been altered to no longer affect the living, but instead target... well.
[The unliving. He's still reluctant to refer to himself as such.]
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[ He does his best not to let that sound judgmental, though. Carlisle clearly didn't have a lot of alternatives. Physician, heal thyself, isn't that the turn of phrase?
Anyway, after another moment's consideration, he decides "eh, to hell with it" and pulls over the little sap jar. ] May I?
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Another deep inhale. Ahh, that's much better. The glow of his eyes is definitely unfocused now, albeit as vibrant as ever.]
Cisth, I miss liquor more than I thought I would. There are many... [another gesture as he searches for an appropriate word] commodities of my former self that I miss, but that one, I may miss most of all.
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Mm. I'm more a beer man, myself.
[ Actually, his own relationship with alcohol is remarkably healthy. Everything in moderation. He knows his tolerance, he knows when he's had enough - and he dislikes the feeling of drunkenness, of his mind turning dull and sluggish and stupid, enough that it's a powerful deterrant in itself. But he still enjoys a good beer now and again. (Enough to have strong opinions on what qualifies as a good beer.)
He finally takes a proper sip, closing his eyes for a moment as the warmth of it leaches into him. Substance abuse is another downer topic, unfortunately, but... ]
Have you ever heard of Oktoberfest?
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I assume it was a party of some sort.
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[Not that he thinks it'd take that long for Qubit, but the man has many unusual talents.]
Did you ever attend?
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A handful of times. [ siiiip. ] Though - funny story - the last time I went was sort of an accident, if you can believe it.
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[He sounds doubtful, albeit playful about it. His enchanted drink must be working, the sides of his mask lifting in what is clearly a smile behind it.]
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[ He shifts on his stool, gearing up to talk with his hands, because it's storytime. ]
This needs some context. Last world I was stranded on, just before Anchor - I call it Earth-beta, distinct from the Earth I call home - there were a few hundred other people in the same boat, forcibly taken from their home dimensions. Not unlike what happens here. Only there, the machine that was used to abduct us - the Porter - also interfered with our powers, or bestowed new powers on people who didn't have them prior. With me so far?
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